Your vision, brought to life.
CAMERAs
Arri
Arri cameras are a must-have on any production set due to their exceptional image quality, versatility, and durability. With their large sensors and high-end image processing technology,
Arri cameras deliver stunning, cinematic images with rich detail and depth. They are trusted by the film and television industries for their reliability and ability to produce consistently stunning results.
ARRI Alexa 35
For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.
ALEXA 35 can be used with a vast array of modern or vintage, anamorphic or spherical, Super 35 or large-format lenses, giving you a far broader lens choice if you want to shoot with ARRI cameras while fulfilling native 4K mandates. For instance, the exceptionally wide focal length range of the ARRI Signature lens family makes it just as suitable for Super 35 as for large format, delivering beautifully rich and textured images that take full advantage of the new ALEXA 35 sensor.
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4.6K Super35 ARRI ALEV 4 CMOS Sensor
Up to 4.6K 4608 x 3164, Cine License
PL Mount (LBUS)
BUD-1 Dovetail, B-Mount Battery Plate
MXF/ARRIRAW & MXF/Apple ProRes 4444 XQ
17 Stops Dynamic Range
Motorized ND Filters, Compact Design
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With an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings.
An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera's wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.
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Created with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.
The ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range nor ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.
ARRI ALEXA MINI LF
Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF is a go-anywhere camera that has a small footprint, but delivers big images. Recording the same formats as ALEXA LF, but to the new, state-of-the-art and cost-effective Codex Compact Drive.
The ALEXA Mini LF is a robust and reliable camera that features internal MXF/ARRIRAW and MXF/Apple ProRes recording, three internal motorized FSND filters, 12 V power input, extra 12 V and 24 V accessory power outputs, compatibility with ALEXA Mini accessories, additional user and lock buttons, improved WiFi, built-in microphones, easier access to connectors and media, and a new MVF-2 high-contrast HD viewfinder.
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The go-to camera for drama series, feature films, and commercials
• Best overall image quality
• Large-format sensor for a large-format look
• Robust and reliable
• Suitable for Super 35 and large format
• Compact and lightweight
• Internal recording to CODEX Compact Drive
• Interchangeable lens mounts
• MVF-2 high-contrast HD viewfinder with flip-out monitor
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At only 2.6 kg / 5.7 lb. with the LPL lens mount, the ALEXA Mini LF is perfectly sized for the smallest rigs and stabilizers. Internal ARRI FSND filters, a hot-pluggable viewfinder, and built-in scratch mics are time-savers on set.
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ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant image quality enhancements and a faster, easier workflow.
REVEAL Color Science is a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new color engine for more accurate color reproduction, a new wide gamut native color space for faster grading, new LogC4 encoding to contain the increased dynamic range, and new LogC4 LUTs (Look Up Tables) for enriched color fidelity.
ARRI Amira
AMIRA is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion.
It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion.
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Exceptional image quality
ALEXA image quality up to 200fps
Recording option up to 4K UHD
Dynamic range of 14+ stops and low noise
Natural skin tones and breathtaking color rendition
Single user ergonomics
Quick start-up – ready to shoot
Optimized for the single operator
Sliding dovetails – perfect shoulder balance
Internal FSND filters (0.6/1.2/2.1)
OLED eyepiece and fold-away LCD monitor
Multi-channel audio – easy-access controls
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Rapidly interchangeable lens mounts
PL or LPL-Mount for cine-style lenses, including those compatible with the ARRI Lens Data System, which allows lens metadata to be recorded via the ARRI Electronic Control System
B4 lens mount permits the use of 2/3” video-style B4 lenses, while the PL to B4 adapter allows instant interchangeability between the two
EF lens mount provides compatibility with widespread and affordable stills photography lenses
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The Master Grips provide a comfortable way of controlling EF, ENG and cine style lenses while holding the camera stable on the shoulder. Camera control functionality includes REC and user button access.
The ability to adjust focus and iris of EF mount lenses using Master Grips allows for an interesting package solution for documentary and handheld operators, who prefer smaller EF lenses due to their weight and cost.
RED
If you're looking for uncompromising image quality and flexibility in post-production, you can't go wrong with Red cameras. With their modular design, Red cameras allow you to build a kit tailored to your specific needs, making them a favorite among professional cinematographers and production companies.
Whether you're shooting a feature film, commercial, or music video, our selection of Red cameras has you covered.
RED V-RAPTOR
V-RAPTOR™ 8K VV is the most powerful and advanced RED® cinema camera ever. As the brand’s new flagship system and sensor, as well as the first entrant into the new DSMC3™ generation of cameras, V-RAPTOR stands alone at the forefront of digital image capture technology.
Featuring a groundbreaking multi-format 8K sensor- with the ability to shoot 8K Large Format or 6K S35, it unlocks the largest lens selection of any comparable camera on the market and allows shooters the ability to always deliver at over 4K. The sensor also boasts the highest recorded dynamic range of any RED camera and the fastest ever cinema quality scan time. With a dynamic range of over 17 stops and featuring scan times 2x faster than any previous RED camera, allowing users to capture up to 600 fps at 2K. V-RAPTOR will also continue to feature RED’s proprietary REDCODE RAW codec, allowing users to capture 16-bit RAW, and leverage RED’s latest IPP2 workflow and color management.
Along with a new flagship sensor, the V-RAPTOR features a modernized platform in an amazingly compact package weighing in at barely over 4 lbs. With two 4K 12G-SDI outputs, XLR audio and phantom power via adapter, and 1080p livestream, this system can handle most anything a shooter can throw at it.
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Sensor Options
Multi-Format 8K VV + 6K S35 or 8K S35
Frame Rates
Up to120FPS @ 8K
Dynamic Range
16.5+ Stops
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Integrated Control Display
Compact Form Factor
2X Faster Sensor Scan Time for Reduced Artifacts
Advanced Intelligent Focus Options
Locking RF & /I PL Compatible Lens Mount
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With two sensor options, customers can choose the sensor format that is most compatible with their lens choices and the one that best suits their shooting style.
RED Ranger
The RED Ranger Camera is a high-performance digital cinema camera that is designed to provide exceptional image quality and versatility for film production needs. It features a large-format sensor, which allows for excellent dynamic range, high sensitivity, and low noise in challenging lighting conditions. The camera also offers a range of customizable settings, including frame rate, resolution, and color space, which make it ideal for a variety of film genres and styles.
The RED Ranger Camera is known for its modular and customizable design, which allows for easy customization and adaptation to specific shooting needs. It also features a rugged and durable design, which makes it an ideal choice for use in challenging shooting environments, including on location and in extreme weather conditions. The camera can be used with a range of accessories, including lenses, rigs, and monitoring devices, which makes it a highly versatile tool for film production.
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Integrated I/O’s
Three SDI outputs (two mirrored and one independent)
Support for wider input voltage (11.5-32V)
24V & 12V power outs (two of each)
12V P-Tap port
Integrated 5-pin XLR stereo audio input (line/mic/+48V selectable)
Genlock, timecode, USB, and control
Shimmed PL mount
Large diameter fan provides improved thermal performance
Available in V-Lock or Gold Mount variants
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No matter which amazing sensor you choose, the RED RANGER camera system will feature the same compact, standardized camera body, weighing around 7.5 pounds (depending on whether the user chooses the V-Lock or Gold Mount variant). RANGER comes complete with a comprehensive I/O array to satisfy power-hungry studio configurations, and boasts a large fan for quiet, more efficient temperature management.
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RED RANGER is available with three difference sensor options: MONSTRO 8K VV, HELIUM 8K S35 and GEMINI 5K S35. All three sensors deliver stunning resolution and image quality-creating clean and organic images that bring your footage to life.
The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film - up to 17x more resolution than HD-and over 4x more than 4K.
For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows.
RED KOMODO
KOMODO® 6K is the latest breakthrough product in RED's long line of innovative image capture technology. The newest entrant into the RED lineup is a compact and highly powerful cinema camera. It features RED’s cinema grade image quality, color science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario.
The new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range and meets the RED standard of unmatched imagery without any creative or technical compromises. KOMODO also features a built-in Canon RF mount allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount. KOMODO also has a DC IN power port and can also be powered using two Canon BP style batteries.
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19.9MP Super35 Global Shutter CMOS
Compact, 2.1 lb All-in-One Design
Canon RF Lens & ARRI CFast 2.0 Support
16+ Stops Dynamic Range
Up to 6K40, 5K48, 4K60 & 2K120 Recording
REDCODE RAW HQ/MQ/LQ & Apple ProRes
Integrated 2.9" 1440 x 1440 Touchscreen
Wireless Control & Preview via Wi-Fi
CFast 2.0 Card Slot; RED IPP2 Support
EF-to-RF Mechanical Adapter Included
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Capture every movement, burst, and flash without sacrificing an ounce of dynamic range or overall image quality.
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Komodo’s RF mount provides tremendous flexibility and compatibility with a wide array of EF and PL lenses and the ability to leverage adapters w/ internal ND filters.
Specialty
Discover the wonders of our Specialty Cameras section, where you'll embark on a visual journey like no other. Whether you're looking to freeze time with our state-of-the-art slow motion cameras or delve into the intriguing world of infrared and crash cams in the future, our extensive rental collection is designed to elevate your work to new heights.
Unleash your creativity and capture every nuanced detail with confidence, knowing that our top-of-the-line equipment is here to empower your vision.
VISION RESEARCH PHANTOM FLEX4K
The Phantom Flex4K delivers low noise, high resolution 4K imaging at super 35mm format. The full- size images are delivered via 9.4 Gpx throughput in the Cine Raw file format. With up to 1,000 fps in 4K the images are compatible with major color grading and video editing applications and support standard sync-sound frame rates. Lens mount options increase the operator flexibility and are interchangeable between PL, Canon EF (with electronic control), and Nikon F. The ability to change mounts encourages shot variety and decreases workflow difficulty between shots.
The Flex4K features a complete on-camera control interface view a menu system. 100% un-tethered operation is possible through battery mounts and remote-control options.
* Phantom 4k Flex requires an Operator Technician ($850/day) & Media Offload Station ($850/day) on set.
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3G-SDI Video Outputs
Dual-link 4K
Dual-SDI support
Battery Mounts Available:
V-Lock
Gold mount
Hawk Woods Reel Power
On-Camera Menu System
Remote Control options
CineStation IV includes 10Gb Ethernet
Cine Raw file format
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9 Gpx/second.
Max speed at full resolution of 4096 x 2304 is 938 fps
At 4096 x 2160 max speed is 1000 fps
At 2048 x 1080 max speed is 1977 fps
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5 seconds at 1000 fps, 4096 x 2160 resolution and into 64 GB of internal memory
2TB CineMag IV holds 2 hours of 4K Cine raw playback at 24p
2TB CineMag IV holds over 4 hours of 4K ProRes HQ playback at 30p
Sony
Sony cameras offer high image quality, versatility, and ease of use for video productions. With advanced image sensors, image processing technology, and color management systems, Sony cameras deliver stunning, cinematic images. The brand offers a range of cameras with various features to meet different production needs, from compact and lightweight options to advanced cameras with large sensors.
Sony cameras are designed with user-friendly interfaces and ergonomic designs, making them easy to operate on set. Choose Sony cameras for reliable, high-quality results on your video productions.
Sony Venice 2
The VENICE 2 builds upon the strength of the original VENICE with new features including a compact design, internal recording and the option for two different sensors: the newly developed full-frame 8.6K sensor or the original 6K VENICE sensor.
The VENICE 2 also inherits popular features from the original VENICE including color science, Dual Base ISO and 8-stops of built-in ND filters. Phenomenal Latitude VENICE 2’s 8K sensor has an exceptional 16 stops of latitude, while the 6K sensor boasts 15+ stops of latitude. This means that both imagers can deliver phenomenal images with very little noise, in conditions that range from searing sunlight to almost no light.
VENICE 2 also excels at High Dynamic Range imaging, allowing for unprecedented creative freedom in grading. More Colors for More Expression VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Color space, S-Gamut3. Plus, VENICE 2’s 6K and 8K sensors match colors almost perfectly, making your grading experience even better.
High Frame Rate VENICE 2 can shoot at speeds of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speeds of up to 75fps at 4K 4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 72fps at 8.2K and 120fps at 5.5K. Fast Shutter Jello effect is something we don’t need when filming. VENICE 2 has high-speed readout sensors, which minimizes the Jello effect that is typical with CMOS sensors.
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Interchangeable Image Sensors
VENICE 2 allows you to easily remove and replace the image sensor, swapping between the 8.6K and original 6K image sensor as required. This also means a 6K sensor can be swapped between VENICE and original VENICE 2.
Dual Base ISO
VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. High Base ISO3200 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops. High Base ISO 2500 offers an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops.
8-step Mechanical ND Filters
VENICE 2 follows the world-first of VENICE, with a servo-controlled 8-step Mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
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VENICE 2 has control displays on both sides of the camera, with the same layout as VENICE. A 3-inch LCD display provides the camera assistant with fast access to settings during shooting, while on the other side, the camera operator’s OLED mini display provides easy control of commonly accessed features, such as ND filter, shutter, FPS, White Balance, and Exposure Index.
Based on user feedback, the menu interface has been upgraded for even easier on-set operation. Many of VENICE 2’s connectors have also changed location and type, such as the Lemo 12V out and the Ethernet connector moving to the camera assistant’s side.
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New for VENICE 2, cinematographers and colorists can unlock the incredible creative possibilities of 16-bit X-OCN recording, without an external recorder. Users can enjoy the full dynamic range and color reproduction of the image sensor, capturing in 4K ProRes 4444 and 422 HQ.
With such a compact design, and no external recorder, set-up is faster, simpler, and easier, particularly for gimbals, Steadicams, and drones.
SONY VENICE
Providing a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration it windows the sensor to shoot Super 35.
The camera comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 72 fps.
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Full-Frame CMOS Sensor
Supports UHD 4K and DCI 4K Capture
15+ Stops of Dynamic Range
Supports 6K Capture with License Update
Anamorphic Capture with License Update
Removable PL Mount, Cooke /i Protocol
Sony E-Mount with Electronic Contacts
8 x Integrated ND Filters
Integrated Assistant-Side Info Screen
Dual SxS Card Slots for XAVC or ProRes
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Full-frame full-width 36 mm 6K
In full-frame, you can use the full 6048 pixel width of the sensor for widescreen spherical 2.39:1 or Large Format Scope. Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting.
Super35 full height 2.0x squeeze anamorphic
For anamorphic shooting and production, Super35 full height 2 x squeeze anamorphic is supported.
Super35 17:9 and 16:9
These popular imager sizes are natively supported by VENICE. Current Super 35 mm PL mount lenses can be used.
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VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments.
Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.
Sony fx9
Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system.
The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.
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6K Full-Frame Exmor R CMOS Sensor
15 Stops of Dynamic Range, Dynamic HDR
DCI 4K and UHD 4K up to 60p
Quad Full HD 120p Raw with XDCA-FX9 Unit
HD Recording up to 150/180 fps
Sony E-Mount
10-Bit 4:2:2 XAVC-I up to 600 Mb/s
Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
Dual Base ISO up to 102,400, HLG Mode
12G/6G/3G-SDI & HDMI Output up to 4K
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Recording Formats
Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a higher 600 Mb/s in 60p. XAVC-Long for longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.
Adjustable Frame Rates
Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.
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Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase-detection AF sensor covers approximately 94% of the whole image area width and 96% of the height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.
Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.
Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.
Sony fx6
The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.
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4K Full-Frame 10.2MP CMOS Exmor R Sensor
DCI 4K60p | UHD 4K120 | 1080p240
15+ Stops of Dynamic Range in S-Log 3 EI
Compact Form Weighs Just <2 lb
Phase Detection AF/Face Tracking/Eye AF
Base 800-12,800 ISO / 320-409,600 Max
S-Cinetone, S-Log3, HLG Modes
10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
Dual CFexpress Type A/SDXC Card Slots
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Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions
Smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot
Both options will produce properly exposed images without affecting your chosen depth of field
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The FX6 is compatible with 50+ native Sony E-mount lenses
Improved autofocus choices include Face Detection and Eye Autofocus modes
Enables rapid focusing with extremely sharp accuracy, even in lower-light settings
The phase detection autofocus uses seven transition-speed steps and five subject-sensitivity
Sony fx3
With a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera.
The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.
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12.1MP Full-Frame CMOS Exmor R Sensor
UHD 4K up to 120 | 1080p up to 240
Compact Form for Cage-Free Operation
10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
S-Cinetone/S-Log3/HLG, 15+ Stops DR
Detachable 2 x XLR/TRS Adapter Handle
Phase Detection AF/Face Tracking/Eye AF
80 to 409,600 Expanded ISO Range
Dual CFexpress Type A/SDXC Card Slots
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A 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.
A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.
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The FX3's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions.
Benefitting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.